Kurosawa’s last great epic is a re-working of 'King Lear' with sons replacing the original’s daughters. The battle scenes are magnificently staged with impressive use of colour.
Like Kagemusha, Ran was only able to be financed with help from abroad, in this case France. Kurosawa’s last great epic film, this, like so many of his other films, is set in the 16th Century – but this time the director has drawn, once again, on Shakespeare for his inspiration, and the story is a re-working of 'King Lear', with the three daughters of the original replaced by three sons. Keeping the bare bones of the original, Kurosawa once again revels both in the pageantry and colour of his battle scenes and in the personal tragedies of the characters involved in what is obviously a pointless conflict. The word ‘ran’ means ‘war’ or sometimes ‘conflict’, but Kurosawa said at the time he was reaching back to the word’s older meaning – ‘chaos’.
It’s a pessimistic film in which the director’s constant theme – the difficulty of upholding human values – results in apocalyptic destruction. Of particular interest is the character of the Fool, who is played by Peter (Shinnosuke Ikehata), who at the time was well known as a cross dresser and singer. Again, Tatsuya Nakadai plays the leading role, that of the elderly ruler whose plans for transition to the next generation are foiled by greed and stupidity.
- David Stratton
Please note, this screening will be of a digitally restored version of the film, and will be screened at Dendy Opera Quays cinema.
In partnership with:
Japanese with English subtitles
Akira Kurosawa, Hideo Oguni, Masato Ide
Katsumi Furukawa, Masato Hara, Serge Silberman
Tatsuya Nakadai, Akira Terao, Daisuke Ryu
Rights/DCP Source: Studiocanal